Victorian Popular Fictions 2: 2 (Autumn 2020)

Table of Contents

Victorian Short Fiction

special issue guest edited by Lucy Andrew and Vicky Margree

Welcome

Andrew King

Articles

Victoria Margree: Teaching Victorian Short Fiction

Anne-Marie Beller: Collapsing the Courtship Plot: The Challenge to Mid-Victorian Romance in New Woman Short Stories of the 1890s

Brittany Roberts: Plotting Sensation Stories: Affect and Intuition in Short Sensation Fiction

Jonathan Potter: Picture Stories, 1840-1860, or Problems with Photographs

Tracy Hayes: Darkest Wessex: Hardy, the Gothic Short Story, and Masculinity

Edition

Mary Elizabeth Braddon, ed. Scott C. Thompson: “Émile Zola and the Naturalistic School, or Realism in French Literature” by Mary Elizabeth Braddon, edited with an Introduction and Notes

Book Reviews

Fiona Snailham reviews British Women’s Short Supernatural Fiction, 1860-1930: Our Own Ghostliness by Victoria Margree

Maria Luigia Di Nisio reviews The Haunted House in Women’s Ghost Stories. Gender, Space and Modernity, 1850-1945 by Emma Liggins

Duncan Yeates reviews The Victorian Male Body, edited by Joanne Ella Parsons and Ruth Heholt

Matthew Crofts reviews Neo-Victorian Cannibalism: A Theory of Contemporary Adaptations by Tammy Lai-Ming Ho

Ethan Taylor Stephenson reviews Marie Corelli, A Romance of Two Worlds: A Novel, edited by Andrew Radford

Contributors

This work is licensed under a Creative Commons Attribution 4.0 Inte rnational License.