Victorian Popular Fictions Journal

The Journal of the Victorian Popular Fiction Association


issue 5.2 (Autumn 2023), on “Religion and Victorian Popular Literature and Culture” will be guest edited by Naomi Hetherington and Clare Stainthorp. Download the CFP here. A 500-word abstract and short biography in Word should be submitted to vpfareligion@gmail.com by 1 November 2021. Final articles to be submitted by 30 September 2022.

issue 5.1 (Spring 2023) is open for submissions.

issue 4.2 (Autumn 2022), on “Reappraising Penny Fiction,” and guest edited by Rebecca Nesvet and Stephen Basdeo, has issued a call for papers (download here):  abstracts due 30/3/2021; complete articles due 15 December 2021. 

issue 4.1 (Spring 2022) is open for submissions

issue 3.2 (Autumn 2021), on piracy and plagiarism, and guest edited by Monica Cohen, will be out Autumn 2021

>> issue  3. 1 ( Spring 2021 )  is  now  out

issue 2.2 (Autumn 2020), on the Victorian Short Story, guest edited by Lucy Andrew and Vicky Margree 

issue 2.1 (Spring 2020)

issue 1.2 (Autumn 2019), on maps and mapping in Victorian popular fiction, guest edited by Minna Vuohelainen

issue 1.1 (Spring 2019)


 

Editors:  Prof. Andrew King   and  Prof. Mariaconcetta Costantini 

Associate  Editors:  Dr Janine Hatter  and  Dr Helena Ifill

Book Review Editors:   Dr Mara Mattoscio and Dr Fiona Snailham


Victorian Popular Fictions is the journal of the Victorian Popular Fiction Association. The VPFA was established in 2009 in order to offer a regular forum for the dissemination and discussion of new research into nineteenth- and early-twentieth-century popular narrative. Mariaconcetta Costantini and Andrew King launched the VPFJ in Spring 2019 to publish the new research of the organisation on an Open Access online platform to a wider audience.

Focussing on popular narrative in all its forms, VPFJ solicits articles which help us re-evaluate our view of Victorian culture as a whole and how that might be considered, including debates about canonicity and hybridity, digitisation, and the identification of pedagogical issues in the teaching of Victorian popular fictions.

VPFJ takes it for granted that “Victorian” means the long nineteenth century and that “popular” means widely disseminated, but at the same time it welcomes challenges to those definitions. It invites the identification and analysis of tropes that coalesced into tales for a few years and subsequently dissolved to make new solutions. It also welcomes discussions of Neo-Victorian re-imaginings of nineteenth-century popular fiction.

VPFJ encourages the critical examination of now neglected fiction, forgotten creators, disseminators and interpreters of stories ‑ poets, dramatists, novelists, journalists, journals, publishers, artists, critics and readers.

Remembering that the American Harriet Beecher Stowe and the French Dumas were amongst the most widely read and adapted “Victorian” writers, VPFJ urges submissions on the trans-Atlantic and transnational circulation and translation of narrative.

Believing that rigorous peer-review and scrupulous editing are essential to forwarding exploration of our field, the VPFJ benefits from a distinguished international VPFJ-Editorial-Board. Each submission is double blind peer reviewed and undergoes a careful editorial process based on the VPFJ Style Guide (downloadable here). Where we feel it is appropriate, we shall not hesitate to screen for plagiarism.

We believe in civil communication and friendly council. Alert to the necessity of working to reduce the physical, social and economic barriers to academic participation and to fostering an environment where all persons enjoy equal respect, we are committed to Open Access and fostering new talent as well as new ideas. Authors retain their own copyright and there are no submission or processing charges. We operate according the Creative Commons Attribution 4.0 International License.

The normal length of article is 7-8,000 words, but every issue starts with a longer polemical piece which seeks to redefine how we think of “Victorian Popular Fictions.” These longer pieces may be either single- or joint-authored, and, subject to scholarly rigour and readability, may be more experimental in form.

Don’t think of the squabbles in the Athenaeum Club or the oracular pronouncements of the Higher Journalism, but the energy, ambition, range and conversation of the Beetons, Braddon and Eliza Cook.


Enquiries as well as submissions are welcomed by the editors, Andrew King and Mariaconcetta Costantini, at  VPFJournal@gmail.com.

Book review requests of 1,000 words can be submitted to Mara Mattoscio and Fiona Snailham, also at  VPFJournal@gmail.com.

Please follow the VPFJ Style Guide for all submissions, whether articles or reviews.

The VPFJ‘s Ethical Code can be downloaded here.

VPFJ comes out twice a year, in Spring and Autumn. 

ISSN: 2632-4253       DOI: https://doi.org/10.46911/vpfj.2019.1000


Hosted  by  Victorian  Secrets

The  headpiece  of  the  VPFJ  was  kindly  created  by  Dr  Ann  M.  Hale,   based  on  a  section  heading  in  the  Stationery Trade Review  for  1887  (courtesy of  http://www.blt19.co.uk/periodicals/stationery-trade-review/)

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This work is licensed under a Creative Commons Attribution 4.0 International License