Table of Contents
Andrew King: Welcome
Janine Hatter and Helena Ifill, with Abigail Burnham Bloom, Mariaconcetta Costantini, Carolyn Lambert, Catherine Pope and Valerie Sanders: Making Space: Key Popular Women Writers Then and Now
Annachiara Cozzi: Exploring Late Victorian (Co-)Authorship: Two Models of Popular Literary Collaboration
Alison Moulds: The Medical Woman as Amateur Detective in Anna Kingsford’s “A Cast for a Fortune: The Holiday Adventures of a Lady Doctor”
Mercedes Sheldon: “An Adventuress I Would Be:” Originality in Miss Cayley’s Adventures in The Strand Magazine.
Manon Burz-Labrande: “Useful Knowledge” versus “Wastes of Print:” Working-Class Education and Edward Lloyd
Katie Holdway reviews Andrew Hobbs, A Fleet Street in Every Town: The Provincial Press in England, 1855-1900.
Helena Goodwyn reviews Tanya Cheadle, Sexual Progressives: Reimagining Intimacy in Scotland, 1880-1914
Cole Xinqiang Chang reviews Ailise Bulfin, Gothic Invasions: Imperialism, War, and Fin-de-Siècle Popular Fiction
Kathleen Beal reviews Pete Orford, The Mystery of Edwin Drood. Charles Dickens’ Unfinished Novel and Our Endless Attempts to End It
Joe Holloway reviews Monica Cohen, Pirating Fictions: Ownership and Creativity in Nineteenth-Century Popular Culture.
All material in the VPFJ is licensed under a Creative Commons Attribution 4.0 International Licence.
VPFJ (for whole journal) DOI: https//:doi.or/10.46911/vpfj.2019.1000