Table of Contents
Articles
Julia Kuehn and Diane Eveline van den Brink. The Good, the Bad, and the Popular: The Question of a Popular Canon and Other Methodological Contemplations
Linda K. Hughes. Crossing Borders in Elizabeth Gaskell’s “The Grey Woman” (1861) and Mayne Reid’s The Headless Horseman (1866): Genre, Nation, and Gender
Emma Butler-Way. “The omen never fails”: Appropriating Intertexts in Louisa May Alcott’s A Long Fatal Love Chase
Anna-Maria Grill. “Let me be the physician to strike to the root of your malady”: Negotiating Female Medical Agency in Mary Elizabeth Braddon’s Lady Audley’s Secret
Natasha Booth-Johnson. “The evidence of [her] own senses”: Gender, Power, and Animal Symbolism in Florence Marryat’s Open! Sesame! (1875)
Anna Shane. Translating Awe into Evil: A Cognitive Perspective on Arthur Machen’s Use of the Horror Genre
Reviews
Jonathan Potter reviews British Writers, Popular Literature and New Media Innovation, 1820-45, edited by Alexis Easley
Helena Ifill reviews The Female Hypnotist: Stories from the Victorian and Edwardian Eras, edited by Donald K. Hartman
Megi Mecolli reviews Theological Monsters: Religion and Irish Gothic by Madeline Potter
Oscar Esposito reviews Animating the Victorians by Patrick C. Fleming