Study Day – Victorian Popular Collaborations
Co-hosted by Victorian Popular Fiction Association and Manchester Metropolitan University
Conference date: 22nd April 2017
Location: Delaney Building, Manchester Metropolitan University, Cheshire Campus
Programme: download here
10:00-10:15: Welcome (Kirsty Bunting, Janine Hatter and Helena Ifill)
10:15-11:30: Keynote by Patricia Pulham (Portsmouth): ‘Collaborating with the Dead: The Advantages and Disadvantages of Borrowed Prestige’ (Delaney Lecture Theatre)
11:30-12:00: COFFEE (Delaney 0-8)
12:00-1:00: Panel 1 Collaborative Relationships (Delaney Lecture Theatre)
Alexis Ancona and Jacob Hale (University of Dayton): ‘Unnatural Selection: Anthropomorphic and Supernatural Animals in Alice Illustrations’
Kimberley Braxton (Keele University): ‘“to exiled and harassed Anne wishing she was here” – Recovering the Literary Relationship of Anne and Emily Brontë’
1:00-2:00: LUNCH (Delaney 0-8)
2:00-3:00: Panel 2 Collaborative Authorships (Delaney Lecture Theatre)
Annachiara Cozzi (University of Pavia): ‘Anything but the Text: A Paratextual Analysis of Co-Authored Novels, 1870-1900’
Chris Louttit (Radboud University, Nijmegen): ‘Revisiting “The Gay Haunt of Cultured Vagabondage”: Bohemian Life Writing and Collaborative Models of Authorship’
3:00-4:00: Panel 3 Collaborative Afterlives (Delaney Lecture Theatre)
Erin Louttit (Independent Scholar): ‘Rewriting the Romans: Adaptive Literary Collaboration, W. H. Mallock’s Lucretius on Life and Death and Edward Fitzgerald’s The Rubáiyát of Omar Khayyám’
Charlotte Wadoux (University of Kent): ‘Ventriloquising the Dickens-Collins collaboration in Dan Simmons’s Drood’
4:00-5:00: Roundtable discussion with Kirsty Bunting (MMU) and Janine Hatter (SHU) on ‘Teaching Victorian Popular Collaboration’ (Delaney 0-8)
5:00-7.30 Optional Afternoon Tea at the Brasserie, Crewe Hall Hotel
5:05pm Coach leaves Reception Building
7:30 Bus leaves Crewe Hall going back to Crewe Train Station, calling at the campus on the way (a 10-15 minute journey).
Study Day with vegetarian buffet lunch and refreshments: £16.50
Optional Afternoon Cream Tea at The Brasserie, Crewe Hall Hotel, 5-7.30 pm (transport with 7.45pm Crewe train station drop off, included): £27
Study Day – The ‘Heart’ and ‘Science’ of Wilkie Collins and his Contemporaries
Co-hosted by Victorian Popular Fiction Association and Wilkie Collins Journal
Deadline for CFP: Friday 17th June 2016
Conference date: 24th September 2016
Location: Barts Pathology Museum, London
Keynote: Dr. Tara MacDonald (University of Idaho)
‘“Why can’t I look into your heart, and see what secrets it is keeping from me?”’
The protagonist of Wilkie Collins’s Heart and Science (1883), surgeon Ovid de Vere, laments the difficulty in deciphering hidden emotions and secrets. Yet, the language suggests his medical background, striking a note with the novel’s supposedly anti-vivisection message and highlighting contemporary debates into the nature of experimental medicine, observation and epistemology. What is the best way of uncovering secrets, and what part does knowledge of the body play in this? Can medical training benefit from a thorough understanding of emotion? And does gender play a part in this? Issues of ‘heart’ and ‘science’ reverberate across Collins’s work, from the Major’s collection of women’s hair in The Law and the Lady (1875) to Ezra Jenning’s solution to the crime of The Moonstone (1868). This conference takes as its focus the proliferation of “heart” and “science” throughout Collins’s work.
We welcome proposals on, but not limited to, the following topics:
- Wilkie Collins’s Heart and Science (1883) and/or any of Collins’s work
- The Body: As a scientific subject, as a site of emotion, bodily representations, and the body in forensics, news reportage and the home.
- The Victorian origin of disciplines: Collins as an interdisciplinary figure, the divide (or not) of “heart” and “science”, the definition of sensation in literature and/or science.
- Medicine and anatomical science: vivisection, taxidermy, anatomical atlases and the nineteenth-century doctor and/or scientist.
- Psychology and psychiatry: the physicality of mental illness, hysteria, the asylum, treatment and therapeutics.
- Gender: the gendered body, representations of gender, the gendered connotations of “heart” and/or “science”.
- Sensation: As genre, as sense or emotion, as subjective.
- Detection: forensics, interrogation, the body as clue, the science of detection, and crimes of the heart.
- Relationships: Romantic, familial, or otherwise.
- Neo-Victorian Approaches to “Heart” and “Science”
- Work by other contemporary sensation writers
Submissions are not limited to papers on Wilkie Collins’s Heart and Science (1883) but to “heart” and “science” at work in the full range of Collins’s fiction.
The WCJ and VPFA are also interested in related authors and ‘sensation fiction’ more broadly, hence papers on authors such as Mary Elizabeth Braddon, Charles Reade, Charles Dickens, Ellen Wood, Florence Marryat and other sensation writers will also be considered. Interdisciplinary perspectives are welcome.
Co-hosted by Victorian Popular Fiction Association and Liverpool John Moores University
Saturday 19th March 2016, Aldham Robarts Library, LJMU
Keynote Speaker: Royce Mahawatte (Central St Martins)
Featuring The Liddell Hart Collection of Costume (LHCC)
Read the Conference Programme
Study Day: Sensational Men: Victorian Masculinity in Sensation Fiction, Theatre and the Arts
Co-hosted by the Victorian Popular Fiction Association and Falmouth University
18th April 2015, Falmouth University, Cornwall
Keynote Speaker: William Hughes, Bath Spa University
Keynote Speaker: Andy Smith, University of Sheffield
Villainous, feminised, weak and wanting; men in the sensation genre are often seen as lacking. Critical readings of the genre, moreover, have tended to focus on its constructions of femininity, largely neglecting representations of men and masculinity. Examining the under-explored subject of Victorian men, masculinity and sensation, “Sensational Men: Victorian Masculinity in Sensation Fiction, Theatre and the Arts” represents a timely and important intervention in the field.
This one day symposium at Falmouth University provides a point of focus and intellectual exchange for scholars working in many different fields such as: popular fiction studies, theatre studies, Gothic studies, art history, early photography and film, theories of gender, sexuality and nation in nineteenth century studies.
Read the Conference Programme
Study Day – The Mystery of Edwin Drood: Solutions and Resolutions
20th September 2014, Senate House, London
Keynote: Prof. Don Richard Cox
Charles Dickens’s last novel, unfinished as it is, has become a call to arms to a legion of fans, academics and authors to solve the mystery and complete the uncompleted. In the early years after Dickens’s death, passionate discussions of Drood formed the vast bulk of criticism of his works, while later scholars have looked back upon this formative period with a mixture of bemusement and embarrassment. In 2014 The Drood Inquiry will investigate and celebrate the many weird and wonderful responses to Dickens’s story, exploring the ways in which these solutions reflect upon the authors’ attitudes to Dickens and his legacy, and how Dickens’s story and characters exist both within the boundaries of the original text and without in the numerous spin-offs that have arisen.
This one-day conference commemorates the launch of The Drood Inquiry, playing upon some of those themes as well as allowing the opportunity to consider Edwin Drood afresh, not purely as a puzzle to be solved but as a work of literature to be analysed and celebrated in its own right.
Study Day – The Life and Works of Wilkie Collins
9th November 2013, Senate House, London
Keynote Speaker: William Baker
Tickets are £10 and are available online. Please note that lunch will not be provided.